Breiers, Audrey. True Storeies about Money (Oxford: AshmoleanMuseum, 1987): 9.
Taylor, 254-258.
Janson, H.W. History of Art, Second Edition. (New York: HarryN. Abrams, 1979).
Taylor, 254.
Ibid, 263-265. Taylor quotes Simmel directly about paper currencyas an ideal form.
Shubik, Chapter 7, page 36.
Platt, Frederick. America's Gilded Age (New York: A.S. Barnes& Co., 1976): 187.
Lbid, 187.
Weingarden, Lauren S. Louis sullivan: The Banks: 1906 - 1920 (CambridgeMA: The MIT Press, 1987): vii-ix.
Platt, 189.
Taylor 255.
Weingarden, Vii-ix.
Platt, 110.
Bolgerer, Doreen, Marc Simpson, John Wilmerding, editors. WilliamM. Harnett (New York: Harry N. Abrams, Inc. Amon Carter Museum and theMetropolitan Museum of Art, 1992): 25.
Lbid, 25.
Lbid, 35, 43.
deDuve, Thierry, editor. The Definitely Unfinished Marcel Duchamp(Cambridge MA: MIT press, 1991): 145.
Taylor, 282-288.
Ibid 284.
Elderfield, John, Kurt Schwitters (London: Thames & Hudson,1985): 31.
Taylor, Chapter 5, footnote 29.
Lbit, 309.
McShine, Kynaston, editor. Warhol: A Retrospective (New York:MoMa, 1989): 16.
Taylor, 291
Bourdon, David. Warhol(New York: Harry N. Abrams, Inc. 1989):103.
Taylor, 254.
Ibid, 269.
Holzer, Jenny. The Venice Installation (Buffalo: The Buffalo FineArts Academy, 1991): 18.
Taylor, 274.
Bourdon, 106.
Olson, Ann S. JSG Boggs: Smart Money (Hard Currency)(Tampa: TampaMuseum of Art, 1990).